Cameron Grady is a loner, and with good reason. His freshman year has just been one misery after another ever since he went to the school's sports orientation night and the coach thought he was a girl. Now he's known as Cameron Diaz and forced to "map out his day with survival being the only objective." But there's physical and mental survival, and after an incident in the boys' locker room, Cameron's psyche doesn't survive, and he commits an unspeakable act against the boy who witnessed his shame.
This is a hard novel to write about. Not because it isn't powerful and challenging, but because it is so utterly terrifying. It's a middle of the night, one-sitting sort of book. It's completely realistic, but you wish it weren't. I want to feel great compassion for Cameron Grady, but I'm not sure he deserves my compassion. How can a character be both the hero and the villain? This is the balance beam that Suzanne Phillips has her readers walk. Burn, along with Living Dead Girl, will probably be amongst the most talked about literature of the season.
